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Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

Wednesday, August 11, 2010

"Untamed"



"UNTAMED"
1st of my "For the Mustangs" series where 50% will benefit a wild horse preservation program.

Update in prints: Finalized and approved the proof of the limited edition of 250 giclee prints of "Untamed" and ready for the presses. Prints will be 16x22.75 and printed on high quality 48# archival paper and inks. So far have raised over $500 for Return to Freedom wild horse organization with this image, first one of a series. Thanks to those of you supporting our wild horses, and keeping our western rangelands WILD!

Prints are still available, let me know if you want one!

The story: Nevada paint mustang mare that is an exceptionally good mother and has been so for the last five years, per Mark Terrell's observation. Original photograph used for this art is courtesy of wonderful mustang photographer, Mark Terrell.

Only 250 printed. Will go to the printer soon, taking reservations. Watermark does not appear on the limited edition giclee print. info@wildwindart.com or email me on fb.

Prints $90 with shipping included. 50% goes to wild horse organization, Return to Freedom. You're welcome to contact me to be placed on a reservation list.

Wednesday, December 9, 2009

Newest Drawing, "Tessa" Progression from pencil to color...

Newest drawing, "Tessa"....
Completed December 9, 2009

Here you can see a progress comparison, from pencil to pastel...





Simple things.
Sonya
www.wildwindart.com

Friday, November 13, 2009

Facebook | Sonya Malecky Spaziani Today... I am THANKFUL for all animals big and small, and the richness they bring into our lives~ making us better people.


"Perfect Circle"
Goldie and Storm
My ferocious over-protective mare and her new foal

Facebook | Sonya Malecky Spaziani The Fury and Grace of a Mother : "you know, I've heard this time and time again about horses being so gentle around small children. I've also seen it with the tiniest and most fragile of foals as well.

I had my pregnant mare on close watch seperated from the other horses in a round corral. Then one early morning, I walked out to check on Goldie, and she had somehow gotten out and foaled in the pasture around the others. I felt like I was rooted to the ground watching this mare in action. I watched Goldie behave in such a protectively, vicous manner, equipped with such an instinct so strong to protect her offspring. She was so terrorizing to the nearing and curious geldings (including Gus... sheesh.. the 'herd stallion'). So manacing was she, that they respectively kept a safe radius from the pair, until their curiousity took over and took some steps closer, and her maternal fury kicked in..... and yet amazingly careful around her new foal.

I winced with a fearful and aching heart as I watched her "ferociousness" keep the curious boys at bay- running at them with thundering hooves, kicking, and striking towards them, with bared teeth! With the fast and flying commotion, I feared for the delicate and fragile little foal's safety. However, the longer I watched, the greater my confidence grew in Goldie's ability to care of her little man. I can recall as if in slow motion, those menacing moves, yet somehow at the same time, so graceful and agile was she when near the foal, keeping him in a 'protective bubble'. She'd run the geldings off with bared teeth, shaking her head at them, but each time return calmly to lovingly tend to her baby, looking him over, and licking him clean. Always aware of where her big body and strong legs were when near him when she wealed and turned on her haunches for another go at the pesky gelding.... so much protection, with such strength and grace.....

So much unyeilding determination to protect offspring.... the bare and basic instincts kick in, when a mother gives birth. The familial bonds and 'spirit' of horses are powerful, amazing, and inspiring.... something which cannot be taught and something which cannot be broken."

Simple things.
Sonya
www.wildwindart.com

Thursday, November 12, 2009

Facebook | Sonya Malecky Spaziani

Facebook | Sonya Malecky Spaziani: "jetting it through the countryside, a favorite observation is watching a little lone heifer mingle, trying to fit in with a large herd of sheep. Today, the wooly herd was making it's way south with the little cow right in the middle, walking along like she was 'part of the flock', none of which looked very confused."

Simple things.

Sonya
www.wildwindart.com

Sunday, November 8, 2009

Cash... You Never Count the Cost



Last winter, during a heavy wind storm, I found Cash stumbling in the wind and rain outside when I went to feed. I didn't know what happened, as it was dark, could barely see by the ambiant, residual light. He nearly toppled over me as I was putting on his blanket. I walked him two steps at a time back to the barn, and closed him into a smaller stall with a door to be seperated from the other horses. Being late at night, with only a small flashlight, I assumed perhaps a stroke/seisure. He stood with frightened eyes, and stood with his legs splayed out for additional balance. It was a long night.

The following day, I found 2x4 boards in one of the stalls bent and broken, and the vet also concluded head trauma by viewing his eyes and witnessing the structural damage to the barn. Not sure how it occured, but mostly likely the fierce wind had something to do with it. The horses have free access into the barn at will from the pasture.

Nearly a year later, he's still recovering, with still a slight tilt of the head, but even that is nearly gone. He's doing well, even kicks up his heels when called up for dinner, though his gait is a tad unsteady. He has a harder time keeping his weight up, probably bc he eats slower. It was touch and go last year, as he got so thin and sick that we nearly lost him. It was daily intensive care, as well as the meaningful times sitting in his stall, talking to him. He needed to be stalled for long periods of time away from the other horses, as well as for the harsh Oregon winter weather.

Prior to his head trauma, he was top of the rung in the equine social pecking order here, but sadly dropped below the young filly, who too also attempted to pick on him, and behaved like a cutting horse in attempt to dominate him. He had to be kept away from the other horses, for his safety, as well as being able to eat enough without the other running him off.

Now, he waivers between being back at the top, down to second with the mane mare, Blaze.... but he continues to assert himself and continues slow but steady improvement.

It was a long road, but Cash is one of those horses with those big gentle eyes, that no matter how bleak the situation, and how I was urged to put him down by others... I couldn't let go, and wouldn't give up, no matter the cost.


Simple things.
Sonya
www.wildwindart.com

Friday, November 6, 2009

"Sparring Stallions" Taken from my wildwindart.com Journal page

America's wild mustangs are our symbol of FREEDOM, SPIRIT, STRENGTH, and INDIVIDUALITY, as well as our historical heritage
Sparring Stallions

Steens, 2005

This was a much cooler trip than we usually experience out in eastern Oregon. In fact on some occasions, it was misting in our high desert, but it was a nice change and we were glad for it. We dug for sunstones the first day, and had a grand time sharing gut-busting stories with the miners, and were fed rather well, best of all we got to play in the dirt and rocks.

After our late dinner cookout, we settled into our camping chairs and stared up into the clear desert sky. There was a crescent moon that set an hour of so after sunset with planet Jupiter in tow. My toddler could tell you which of the objects in the sky were stars and which were planets. The starry sky was remarkable, the kind of sky that you can't keep from staring at in awe and wonder. This was the first time in my life that I sat looking up at the night sky and actually felt like I was sitting on a ball of dirt out in space. The stars were so bright and numerous. Some were brighter then others, and some were bigger or smaller than others. It truly felt as though I was looking at the sky multi-dimensionally, instead of a single dimension like a picture, for instance. There was no "peyote", or any other spirits of influence. I've gazed at many incredible night skies in the past, but perhaps because the thought of infinite space is so hard to comprehend, it is too easy to view it as flat "picture". But this night, there was no mistaking that we were riding atop a big ball of dirt and hurling through infinite space and time.

The Milky Way was so bright; it shined on the sage and lit up the vast desert. The only thing missing that night, were the evening songbirds who typically sing all night after a very hot day. We were out there later in the year, and missed hearing their beautiful songs as they sit atop the sagebrush, distinguishing their territory from other "gentleman" birds, while diligently trying to lure the ladies with their haunting melodies. This night, the silence was deafening, but we still did hear coyotes in the far reaches of the desert plane. They were so far away, however, that we could only hear them if we quit breathing for a moment and turned our heads just so.

The next morning after a hearty breakfast of "everything-I-could-find-in-the-kitchen", cooked over the open fire, we headed to Steens Mountain and camped near the top at Fish Lake. With much detail aside, we drove toward the summit beyond Fish Lake and stood overlooking Kiger Gorge, the giant U-shaped glacial carved valley on the 30 mile long mountain, that is home of the geologically isolated mustangs known as the Kigers. After overlooking the valley some 3,000 feet below, and brazing a cold hard wind, we headed higher, where clouds happened to be skimming the summit. Our son was thrilled when he was able to literally touch the clouds, which moving over our heads very quickly. He still tells people about it to this day, and those he tells it to, look entertained and confused at the same time. I just laugh and then feel compelled to explain.

Fish Lake was teaming with small rainbow trout. At dusk, there were many of these small fish jumping out of water catching low-flying damsels and mosquitoes for their late evening supper, the various tones of the 'kerplunks' sounded musical and soothing and this occurred the whole area of the lake - near and far. We listened to their interesting music while we prepared our dinner. As we sat by the fire, a lone mule deer came to investigate behind us of about 7 feet, a rather large and healthy doe. What a thrill for our little boy! We enjoyed our supper of steak, wild rice and sautéed mushrooms, and dutch-oven cornbread with pre-cooked bacon pieces and cheddar. Our dessert? Drinking in the pungent smells of the sage, hearing the splashes on the lake's surface, and the mild wind rustling the Quaking Aspen leaves, and watching the dusk fade to a partly starry night.

The next day was overcast and somewhat cool, a nice break from the usual searing heat. As we drove, I was immersed in conversation; so much so that my husband had to remind me we were approaching the vicinity of our beloved mustangs. It caught my attention, but thought… "Oh, but how likely to see them this easy and quickly off the road!". Not a minute passed when I saw three, and exclaimed my excitement, jutting my arm across his chest as I pointed them out. I exclaimed without holding anything back, so much so that Rick almost drove off the road! We stopped our vehicle and watched in amazement 3 young bachelor stallions playing, chasing, and sparring. One palomino, one medium bay, and a dark chestnut played in the cool of the mist. The palomino was larger, and appeared somewhat older than the other two by body maturity and steady demeanor. He was a bit weary of us and watchful, while the two younger stallions, though stopping momentarily to assess us, went right back to having a vivacious ball.

They took turns chasing one another, but always returned to where the palomino was "stationed". They reared at each other, threw front legs over the back of the other, and then had a fabulous game of biting at eachother's legs, bringing the other to the ground (both front and back ends to protect their own appendages). These were young bachelor stallions, run out of the herd by the main stallion, so they were older than two year olds. Their soon-to-be missions in life, will be to steal mares and begin bands of their own. But for now, they had a magnificent and innocent time sparring~ clearly playing, but more importantly, testing their own strength, should some day the need arise. Once the handsome palomino became accustomed to our vehicle's presence, he once in a while joined the others running around, but still watchful. We chose not to get out of the vehicle as they were less concerned about the big "metal box", then had we gotten out. Their behaviors would have changed, if not disappeared in the vast hills of sage. We got them on videotape, and some far away stills.

Their mock battles and play took them farther and farther up the flank of the mountain, so we continued our own journey to scout for the larger herd which should be nearby, based on these three youngsters. We turned off on the Steens loop road just a mile or two further. We drove a couple miles when the mustang radar of my peripheral vision, picked up a band of about twenty to our north. These horses were on a farther hill, but we got out and walked to the edge of the closest hill to see if we can see another part of the herd in the small valley below, where they tend to rest. We walked between the wet sagebrush where our shoes, socks, and pants were all saturated- but that was the last thing on my mind. I kept my eye open for mustang mane-hairs to use in drawings of wild horses. We got to the edge, but there were no horses below as we had hoped, just across on the other hill, too far to recognize distinguishable markings. But even as far as they were, it was so quiet, and along with the nearby hills (which created something similar to an amphitheater) we could still hear a couple mares squealing, either establishing or re-establishing their placement in the herd with another ("the pecking order"). That, or putting an interested stallion in his place.

When mares are near, but not in estrus, and are approached by the stallion recognizing the olfactory signals, the mares will typically squeal and strike the front legs towards him indicating they are not ready for his offer. A few days to a week later, the mare will then usually accept the stallion's advances. Even as far as they were, I was thrilled to see the herd again. They were about a hill away from the three bachelors, or roughly ¾ of a mile away, for those of us accustomed to judging distance in miles. After I was satisfied filling my sight of these horses, and breathing their same air, we continued our way to their local watering hole where I searched for more horsehair.This week-long trip was much too quick, but we were able to experience so many wonders of nature. Besides the horses, we were fortunate to see two different herds of antelope, one of which had young; a great horned owl sitting on a window sill of an old weathered and sagging barn from days-gone-by; coyotes, red-tail hawks, golden eagles, and a two barred owls who circled over our heads a couple times to get a closer look at us, before we headed for home. But it's the horses, their social dynamics, and their wild flying manes that are forever burned in my memory.

Simple things.
Sonya
www.wildwindart.com

Wednesday, November 4, 2009

Facebook | Sonya Malecky Spaziani

Facebook | Sonya Malecky Spaziani: "Fed Clovis, then I punched down, kneaded, formed, and threw part of him in the oven. Looking forward to the sourdough/french bread. Didn't touch the mountain of laundry threatening an avalanche as intended, instead headed out to the barn. Then it's on to my new piece of art... Barbaro!! Coffee? Lost count."

Simple things.
Sonya
www.wildwindart.com

Monday, October 26, 2009

"THE UNBROKEN" Additional Color~ COMPARISON


"The Unbroken" Redone, with additional color


"The Unbroken" Initial with minimal color

Newly released October 2009
Pencil, Pastel, acrylic via wild horse hair
L/E 250 signed & numbered giclee prints

I had this "itch" to add more color to what I thought was a completed piece. I posted them together for a comparison. Those who know me and my art know that I tend to "overdo" things and not know when to quit. Many were threatening an intervention. ;)

The story about these horses:
A friend, who is also a stock contractor and a wonderful photographer, Robin Corey, allowed me to draw one of her beautiful photos. I loved the photograph and immediately came up with a name when she told me the story of these horses. These are horses that have an amazing 'unbroken' spirit, who refuse to "buckout" and so are unrideable. I VERY much admire that strength and tenacity as it depicts our wild west.

I was drawn to the striking contrasting details, the mane textures and wind knots. Your eye is drawn into the quietness as they are at rest, and while you feel you are among them, one clearly keeps his eye on you with her indeterminant spirit and fight to stay wild. As you move deeper within the herd, you are attuned to their levels of awareness.

Some light and dark contrasting hair details such as the whisps are via acrylic paint, using wild horse mane strands for the paintbrush.

Simple things.
Sonya
www.wildwindart.com

Tuesday, October 13, 2009

The Art of Riding

"Riding teaches sensitivity, body awareness, and reading your horse. Just the motion of turning your head, shifts balance and can change a manuever."

Simple things.
Sonya

www.wildwindart.com

Tuesday, October 6, 2009

Facebook | Sonya Malecky Spaziani

Facebook | Sonya Malecky Spaziani: "This drawing matters a great deal to me. The original photograph for this art was taken 40 years ago and the mustang had ropes all over him as an attempt to subdue it. He fought and fought hard, as the mustang spirit does. I've redrawn this amazing wild horse...... but WITHOUT the ropes~ my way of 'freeing him forever'."

Saturday, September 26, 2009

Plight of OUR MUSTANGS


I was recently asked about both sides of our mustang issue, with the loaded question, Why?

The answer, point blank "Money". And as we all know, money talks LOUD and can carry a lethal stick! It is not my assumption, but for years have learned this simple notion by gathering facts.

OUR public lands allotted and PROMISED to US and our wild horses (through the ROAM act of 1971, but then surreptitiously amended in 2004, which is where the struggle was resurrected), has gotten smaller, and continues to do so. Why? Because individuals pay to LEASE public (meaning "our") lands from the government for grazing rights. But it doesn't stop there.. there's also big game hunting (money for tags), urban sprawl (money for land), oil, and recently ~ wind turbines, and the latest eye-opener... URANIUM mines (in a very interesting Arab-US deal~ Thank you TrueCowboyMagazine for the enlightenment), see Mustang for Uranium~ http://earthchamber11.blogspot.com/2009/09/new-american-genocide-horses-for.html . Absolutely no joke. It's crystal clear why money is the main thread and source behind the removal of more and more mustangs... Mustangs which are our western and National heritage.... and our National treasure!

North America used to have 2 million of our LIVING LEGENDS roaming free, now the numbers are down to only 27,000 and declining. It's disheartening to know that another 33,000 are in government holding facilities around the US (here's one such article of many http://www.msnbc.msn.com/id/25465974/#storyContinued ) . The government doesn't know what to do with these horses,so they're seriously considering EUTHANIZING them (a covert document was uncovered, and within it was even the plan to incorporate counselors to deal with the workers who had the job of killing healthy horses), and for those who relate best in "money terms".. paid by us tax payers (feeding/holding .... and the euthanizing). All of these facts are backed up with more infomation, article links and news reports by even unbiased third parties. Questions? Go Google for it, it's all there. Isn't it alarming that there are only a handful of states that have wild horses... Why is that?

There is a claim that horses are non-native and therefore there's a need to eliminate them. As you may know, and as it's thought, horses came to North America with the Spaniards, and so it is assumed that they are non-native. However, there is evidence that they were here long before the ice-age and died out from natural catastrophic events (or quite possibly, man). Wild ancestors (Equus ferus ferus) of the Mustang roamed the plains of North America till about 10,000 years ago before going extinct and ancient DNA studies clearly shows that the Wild Horse originated from the Americas. http://en.wikipedia.org/wiki/Mustang_(horse) . Horses were THEN RE-introduced by the Conquistadors.

The BEST "GO-TO" source for accurate information, along with a great Q&A and stats is to go to http://www.wildhorsepreservation.com You'll feel very enlightened with the information.

It is indeed important to know both sides of the story. The government officials who's plight to reduce free-ranging mustangs, claiming that it's due to their concern and welfare for the animals to protect them from famine by keeping mustang numbers down... are the SAME government officials who want to kill these amazing animals, who they've mismanaged and put into government holding facilities (33,000 mustangs, yet they continue roundups!) because they don't know what else to do with them, and that they're costing tax-payers millions. Is this making any sense to anyone?? Why round up more to add to the problem on our dime, just to destroy them... again, on our dime?

For the average person, who is not up to speed with this issue... it may be soothing and nice to hear them say "it's for the welfare of these horses". Wild horses like ALL wild animals can do just fine without human intervention. True, the only predators wild horses have (beside the obvious~ man) are cougars (Thanks again to "intervention" nearly eliminating wolves). BUT EVEN SO, lack of forage for whatever the reason, IS also a process of nature, and keeps herds in check. Why must we attempt to control everything, including the effective functioning of an ecosystem? Insufficient forage means less birth rates, and of course, during times of drought or famine there would fully functioning natural selection. (Side note, a large cause for forage depletion? Cattle outnumber wild horses 200 to 1 on PUBLIC lands.) Our natural laws of the ecosystem are fully functional and self-adjusting. If a horse is lost to famine, nature also has a way to give back and recycles it to benefit other animals or organisms.

ALSO in human intervention, we assume a roll of a higher power, by chosing future generations of horses based on what "we" want, and with reduced herd numbers, we effect the genetic viability of these horses, including increase in inbreeding, which further effects herd health. I can go on and on with other examples, including on emotional levels in regards to family ties and bonds among the individual bands. I've witnessed it myself first hand (my Journal ~ website http://www.wildwindart.com/journal.html ).

North America in early 1900's had 2 million mustangs... my heart sinks when I think there's now a mere 27,000 (w/more in captivity than roaming free), and only a few states have them. It would be a very sad day, if we had to go to the zoo to view America's mustangs. The west without mustangs? Empty and in my opinion, no longer considered wild or the "last frontier'... as we've conquered/controlled IT down to the last wild animal.

Please take action, here's what YOU can do: http://www.wildhorsepreservation.com/action.html to make your voice heard and counted. You may think it's just a simple "grain in the bucket" but eventually the grain bucket does get filled! Tell them, NO MORE MUSTANGS for MONEY!!

Sonya
www.wildwindart.com
www.facebook.com/cowgirloncoffee1

Tuesday, September 15, 2009

My Art at the HEART OF THE WEST Show & Sale

These are the two of my originals headed this October to the very prestigious HEART of the WEST Show and Sale in Wyoming. Only 40 artists are selected for this event each year. I am deeply honored to have been one of the selected western artists.

I'm primarily a pencil & pastel artist, but I also paint in the detailed hair structures using dark acrylic paint and strands of authentic wild horse mane hairs found in the high desert. So essentially each drawing is touched by an American mustang... our western heritage, living legends that are our National treasure!! I also donate to wild horse organizations to protect them and keep them roaming free.

To see my art work on Heart of the West's website, click this link and look on the bottom right and you'll see these two there! www.landerchamber.org/artpiecespage4.aspx Thanks for all your well wishes! The original photograph I used for "The One for the Job" is by wonderful equine photographer, Pam Nickoles of www.nickolesphotography.com .

Headed out on Friday to mat & frame with name plates:


"The One for the Job"
L/E 250 signed and numbered





"Water Paints"
L/E 250 signed and numbered




Where the wild wind blows,
Sonya

www.wildwindart.com
info@wildwindart.com

Friday, May 22, 2009

My Rope Horse, Gus


This is my old rope horse Gus, an Appendix quarter horse. Not much in the name, but that's how I liked it, simple.... something he was not. He was the kind of horse that had "no fear", and with a mind of his own. He had no fear, and a free-spirited mind of his own, but because of his attachment to me, our minds melded and when riding, he was an extension of my body. When I asked something of him, he'd arch his glorious neck and give to the bit, working off my instructions.

I say "no fear" because anything I asked, he'd do it. Even if another horse around us balked at a task or was frightened of something, it didn't phase Gus one bit. For instance, if riding on trails, and a buddy's horse refused to go through a deep trench, or stream in front of us, then I'd pull Gus in front and he'd walk through without a second thought. The other horse would then soon follow. He didn't even put up a fuss, when one early morning as he was happily eating his breakfast, I snatched him out of the barn to rescue a wayward cow. A neighbor's longhorn got out on a road near my house, I saddled in record speed, galloped Gus down the road, roped and dallied the bellowing bovine, dragging him behind us back to the owners.

We also literally blazed new trails. One time really sticks out in my mind when we went through some harsh thickets (Oregon snarly and prickely blackberry bushes) up a steep ridge until it just got too thick and deep, that I had to meander him "backwards" all the way back down through the trails we made. No refusal, just tucked in his chin and did as asked. Simple as that. He took his work seriously.
The stories are endless, and I'm blessed to have had him for a big part of my life. He'll never be forgotten.

Thank you for letting me share a couple fond memories of old Gus.
Where the wild winds blow,
~Sonya

Thursday, May 21, 2009

My Work, part of American Horse Publications Awards


I, along with other western/equine artists, have been interviewed in a wonderful roping magazine called The SCORE put out by the National Team Roping Horse Association. The article was out Nov/Dec of 2008. I JUST found out that this particular article called "The Art of Roping" has been named as a finalist by the American Horse Publications 2008 Awards for Excellence! Who knew! Quck witted and excellent journalist, LA Pomeroy wrote this article, and here is what she says:"...that Score article on The Art of Roping has been named a finalist in the American Horse Publications 2008 Awards for excellence in journalism. I'll know full details after the awards are announced June 27, but I do plan to let you and the other ... Read Moreartists know who helped me make it such a terrific piece, and one that drew the judges' attention. It was one of 800+ articles submitted, so I'm pretty happy. Thanks for helping make it literally one of the best equine articles of the year!"


Additionally, Ms. Pomeroy wrote to me..."I have even more great news I just havent had time to post, or contact all the artists about, but that Score article on The Art of Roping has been named a finalist in the American Horse Publications 2008 Awards for excellence in journalism. I'll know full details after the awards are announced June 27, but I do plan to let you and the other ... Read Moreartists know who helped me make it such a terrific piece, and one that drew the judges' attention. It was one of 800+ articles submitted, so I'm pretty happy. Thanks for helping make it literally one of the best equine articles of the year !"
The link is an online versian of the article with my work, and blurb about me and my WildWind art... scroll through it, it's great! Thanks LA Pomeroy!

Monday, May 18, 2009

Invited to the HEART of the WEST show in Wyoming

"The One for the Job"
Signed and Numbered L/E 250 Giclee

I am very honored to have been chosen as one of the few western artist to show my orginal art at the prestigious Heart of the West Art Show in Wyoming. The original photograph used for this artwork is courtesy of Pam Nickoles of www.nickolesphotography.com. Thanks Pam! YOU'RE GREAT!!
Sonya

Friday, May 8, 2009

Published in The Score magazine

I'm published in The SCORE. There's an article about my WildWind Art and drawings in The SCORE magazine (by the National Team Roping Horse Association)! The main article is called The Art of Roping. You can turn the page, and I’m on the next page on the right side! You can zoom in to read it better. Here’s a link to the online version of the magazine.

The Score magazine interview:
http://viewer.zmags.com/publication/8559813d#/8559813d/34

See you where the wild wind blows,
Sonya
http://www.wildwindart.com/

"Second Look" Appaloosa, Color Study

Here's my latest quick draw of a young appaloosa called "Second Look". I did this one for (cross my fingers and toes!) the cover of Appaloosa Journal. The original photo for this drawing is courtesy of Sawyer Creek Appaloosas.I just finished coloring it in... so you can see it in both pencil and color.... and by the way, in all my pictures, beginning in 2005, I use a few strands of mustang mane found in the high desert to paint in hair details. So my images are essentially touched by a wild horse!

"Second Look" pencil

"Second Look" Colored Pencil, Pastel





Where the wild winds blow,
Sonya
http://www.wildwindart.com/